"Riverbend Bluebells" (oil on stretched canvas; 16" x 20")

click here to buy

There is a place in Great Falls,VA, called Riverbend Park.  It is a pretty park where kids go for school outings to see American-Indian artifacts and practice archery.  When Virginia bluebells are in season in the spring, it turns into an enchanted forest by the river.  Imagine acres and acres of delicate blue flowers on long stems catching light or in deep shadows.  I tried to capture that sense of joy and wonder in my dotted painting.

"Shady Cove" (watercolor; matted, 12" x 10") sold

sold

I thought I would play around with watercolors for a change of pace, starting with this small landscape.  It depicts a lovely shady cove along the Potomac River.

"Crossing the Mississippi, Minnesota" (oil on linen; 8" x 10") sold

sold

I love Minnesota so much that I married a Minnesotan!  He has many relatives there, so we try to visit it as often as we can, which is not often enough.  During the last visit two summers ago, we went to Itasca State Park, the headwaters of the Mississippi River, in north central Minnesota.  The kids of all ages can cross the mighty river and feel mighty themselves.  You can walk across the small wooden foot bridge, like the family with a dog in my painting.  Or, if you feel particularly brave, you can wade the river barefoot, like those in the picture below. What would you do, if you were there?

My daughter had a lot of fun crossing the Mississippi!

If you send me your pictures to kimstenbergart@gmail.com, I may make paintings out of them.  How fun is that!  At the end of September, I will do a drawing and one lucky person wins a free painting.  You can buy the painting anytime, but there is no obligation.  Thanks!

Today is Day Twelve of Leslie Saeta's 30 in 30 Challenge.  18 more paintings to go!

"After Independence Day" (oil on stretched canvas; 12" x 16") sold

sold

The day after the Independence Day in 2002, I visited a marina along the Potomac River and saw the scene.  The contrast between the brilliant sun-lit boats and those in the shadow made an indelible impression.  Full of enthusiasm, I painted a full-sheet watercolor painting, also titled "After Independence Day."

The painting won the Potomac Valley Watercolorists Award (something like the second-place award) in the prestigious American Landscape Show at the Art League Gallery in August 2002!  It was before the age of the digital camera; I wasn't much of a photographer either.  Unfortunately, I didn't have the chance to get the painting photographed properly in slides before the show.

When the painting got sold on the last day of the show, I didn't know whether I should be happy or sad.  Dang!  All I have left of the entire exhilarating experience is a snapshot.  I took a picture of the picture to prove that I didn't make up the story!

"After Independence Day" (watercolor, 22" x 30"; sold)

I cropped the scene for the new, much smaller, oil painting.  Unlike the original watercolor version, for which I did a lot of careful pencil drawing, the new version was done with a minimal pre-drawing.  The background is barely suggested in the watercolor painting; in the new painting the background is treated more boldly.  The result is that the sun-lit boats are highlighted between the darker values of the background landscape and the foreground boats.  So, which painting do you prefer?

"Victoria Embankment, London" (oil on linen; 10" x 8") sold

sold

If you ask me what I remember most about London during my recent trip to England, I would say "the crowds"!  True, you don't visit big cities like London for peace and quiet, but the city was completely mobbed with the tourists from the UK, Europe, and elsewhere. If we had been astute travelers, we would have checked the calendar ahead and noticed that it was the Easter weekend and the beginning of the Easter holiday.

There were lines everywhere.  London had become Epcot at Disney world on a bad day.  Look at the inside of the beautiful, but packed Natural History Museum on Friday afternoon.  Or Parliament Square on Saturday morning.  Or Piccadilly Circus and Leicester Square on Saturday afternoon.

The mob scene at the Natural History Museum

Parliament Square; do you see the statue of Winston Churchill?

Piccadilly Circus is ALWAYS crowded!

But who knew that Leicester Square, one of the theater districts, was this  popular among tourists?

Don't get me wrong.  I love London.  Back in my youth, I lived there for six, happy months.  The stop at the  National Gallery, which was, needless to say, mobbed, was one of the highlights of the entire trip.  I got to see in person the 17th-century Spanish artist Velasquez's "Rokeby Venus"!

This was the only picture I took at the museum until I learned that photography was not allowed.  Oops!

We finally found peace on the Victoria Embankment, a river walk along the north bank of the Thames River. Boy, we walked gazillion miles that day, which wasn't over yet. We would continue the walk for a few more hours until our legs gave out.  By the way, if you think that I painted the river with the famous, ancient Egyptian, Cleopatra's Needle too romantically, you are wrong.  Paris is not the only romantic city in the world!

I have a suspicion that the British kept these iconic telephone booths for the amusement of the foreign tourists.  The girl in a serious winter gear is my daughter.  It was cold!

"Key Bridge at Sunset" (oil on linen; 11" x 14") sold

sold

I don't believe in multi-tasking.  One thing at a time is my motto.  Having a dinner while conversing, or painting and listening to music at the same time, are some of the few things I would do with profit and pleasure.  Try doing something that requires concentration and simultaneously listening to your teenage daughter's angst.  You may be able to, but I can't.  These days many drivers put their and other people's lives in danger by texting while driving.  One thing at a time, man.

Sometimes, however, I end up multi-tasking.  Here is the story.  Thursday was a very busy day.  It started with a photography session with a client for a commission painting, followed by ice-skating practice, grocery shopping, a visit to my daughter's doctor's office for her flu shot, cooking dinner, and a fundraiser holiday concert at a bookstore where I also got half of Christmas shopping done!

I had started "Key Bridge at Sunset" the day before, but didn't get to finish it.  It was going well.  This was the second time that I tried the same subject; I wanted it to be better than the first painting ("Georgetown at Sunset"), which I felt looked belabored.

Paints were becoming sticky, and I had little time to do finishing touches during the day.  Painting in the kayakers was particularly nerve-wracking.  I didn't want the painting to be about the health benefits of kayaking.  Kayakers, especially the big one at the bottom left, were supposed to balance the painting and add a visual interest to the large expanse of the river.

"Georgetown at Sunset" (oil, 9" x 12")
sold

I finished the painting while grilling rosemary lamb chops and boiling new potato.  My studio, formerly known as the dining room, is right next to the kitchen, so I could pull it off.  Nevertheless, I felt like Daniel Craig playing James Bond, or Jason Statham as the Transporter!

"Autumn Day at the Bay" (oil on linen; 9" x 12") sold

sold

Lately the Washingtonians have been basking in a gorgeous weather day after day, as the Mother Nature is trying to make amends after earthquakes, torrential rains, and flash floods of past several weeks.  Which means--I MUST GO OUTSIDE TO PAINT!  So a couple of friends and I made an plein-air-painting outing to Occoquan Bay National Wildlife Refuge on Friday. 

This haven for migrating birds, nature lovers, and other creatures that reside in grasslands and marshes is located 20 miles south of Washington, DC, at the confluence of the Potomac and Occoquan Rivers, just half a mile off the hustle and bustle of the busy traffic on Jefferson Davis Highway (US Highway 1). 

None of us have been there, so didn't realize how much we had to walk lugging our painting gear.  Sure, along the way, we took lots of pictures of other scenic spots.  But when we saw the above view, our jaws dropped.  Lots of Canada geese were resting in the water.  We also spotted egrets and herons.  There were no clouds in the sky.  No bugs, no pestering onlookers,  just an occasional gentle breeze to cool down our brows.  Tranquility reigned.

"Orange Sail" (oil on stretched linen, 14" x 11") sold

sold

It is chilly today; the weather forecast is threatening snow tonight.  Time to look at a summery painting to cheer up.  A photo I took years ago became a reference for this studio painting.  It must have been a perfect day for the couple who sailed on the Potomac that day.  The river never looks this blue; its colors are a range of grays, to put it politely.  The sails were really those bright oranges--one of my favorite colors.  Orange and blue are complementary colors, so together they vibrate.

"Cherry Blossom" (watercolor on paper; 18" x 14") sold

sold

Cherry Blossom is the name of a tour boat that goes up and down the Potomac River.  On the day when I took the reference photo, it was glowing with the sunlight.  A perfect subject to try out the  watercolor technique that I learned in Jean Grastorf 's workshop!  She uses only three colors--a red, blue, and yellow--in large tubes, which she dilutes to a creamy consistency in small separate cups.  On a stretched paper, the whites on the drawing have to be protected with masking fluid. 

Then the messy and fun part begins--you pour the colors, letting them mix and mingle.  As the paper dries, you have to do this in several stages for darker values, at each stage protecting the areas of lighter tones with more masking fluid.  Tedious, yes.  But you just cannot get the same glowing effect with brushes.  The painting was juried into the Art League show in Alexandria, VA in 2005.

"Autumn Meadow" (oil on linen, 8" x 10") sold

sold

A freezing rain last night--not a good weather to paint outside.  The wildflower meadow field at River Farm along the Potomac River was in full bloom with fall flowers when I painted this piece in Sara Linda Poly's plein air class.  I just hinted at them with yellows and violets.  The bank of land in the background is Maryland.  There is a running joke among my painting friends: the Marylanders paint their home state bigger than the Virginians.  Can you tell I am a Virginian?