"Blueberry Smile" (oil on linen; 4" x 5") sold

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When I turned the mini fruit tart around, I saw three blueberries looking like smiling.  For a different look, I switched to a yellow orange fabric for the ground.  Which ground do you like better, orange or green?

"Mini Fruit Tart" (oil, 4" x 5")
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"Mini Fruit Tart" (oil on linen; 4" x 5") sold

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A mini tart loaded with a fruit salad of strawberry, blueberries, grape, kiwi, and orange.  Which fruit is your favorite?  By the way, the dull sheen of the highlights was caused by the transparent glaze on the tart.  Yummy.

By the way, the name of this month's challenge is "Pastry Pleasure."  If you want to win a painting at the end of the month, please sign in to follow my blog.  Thanks!

"Three Oranges and White Tureen" (oil on linen; 11" x 14") sold

"Three Oranges and White Tureen"
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"Yellow and Violet Still Life" (oil, 11" x 14")
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"Two Red Peppers" (oil, 11" x 14")
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"Red and Green Apples" (oil, 11" x 14")
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I am beginning to see the pattern in the still life setups by my teacher John Murray--the harmony created by complementary colors.  In the first class he gave us red and green apples with neutral draperies.  In the second week, he challenged us with the intensity of red bell peppers against two different shades of green cloths.  The third week's setup was all about the yellow/violet vibrations.  This week he not only baffled us with the orange/blue juxtaposition but also with the octagonal planes of the white tureen! 

His choice of draperies is deliberate.  They may someday come with stripes and all sorts of patterns and textures.  The white bowls, which are clearly included for their reflective qualities, are becoming more complex in their shapes; one even flaunts floral patterns. In the midst of the ever-mounting challenges of painting fruits, vegetables, and fabrics, we are also constantly reminded of the crucial importance of composition and paint application. 

We struggle valiantly to mix the right reds, blues, greens, oranges, violets, and yellows we see in the setups, and often end up with disgusting colors.  The prominent colors in "Three Oranges and White Tureen" are blues and oranges.  For whatever reason, my original color notes were oranges and violets.  John's comment was that I have the violet tendency!  I had to work hard to depurplize the violets and steer them toward blues.  We can, of course, ignore what we see and paint the way we like, as one student was doing with the extremely limited palette of only three colors, plus white.  Or, we can try to mix colors correctly.  Argh.  The vexing still lifes!

"Flight of Fancy" (oil on linen; 7" x 7") sold

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Today is the one year anniversary of my blog.  What a year it has been!  It was truly a leap of faith for me to undertake the responsibility of writing a blog.  At the beginning, I was probably the only person who read my blog.  These days, who knows?  I have a few friends who keep up with it; beyond them, I have no idea.  Someday I may develop a big following.  For now, I am content with my small, but loyal readership. 

Going with the concept of a leap of faith, I am sharing "Flight of Fancy" with my readers today.  It is based on a photo I found in a shoebox the other day.  I took it nine years ago when my daughter was still in preschool, at a beautiful public park called Brookside Gardens in Wheaton, MD, to which two moms and three preschoolers took a field trip. 

They were having a special exhibit of a butterfly show.  Hundreds of exotic butterflies fluttering about everywhere was a sight to behold.  I somehow captured these two orange butterflies in the frame: one in flight, the other in a brief moment of stillness.  I love the juxtaposition of oranges and violets--a color combination I rarely use, but now I will.

Thank you for reading my blog.  Happy Anniversary!

"Pink, Orange, and Midnight Blue" (oil on linen, 12" x 12") sold

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This is the last plein air painting of the week.  No, I did not paint it at night.  The title has something to do with the dark purple blue background I chose at a whim.  I went back to Bon Air Memorial Rose Garden in Arlington by myself early Wednesday morning and wandered around for almost half an hour.  I just couldn't make up my mind.  Do I paint a beautiful wooden arbor and challenge myself with drawing?  A single rose?  Red roses?  A rose trellis?  I sat on every chair and bench at the park to try out different views.

Eventually I sat down to paint these pink/orange roses, pretty much out of exhaustion.  Some days are like that--an attack of indecisiveness.  An hour into the painting, I began to regret my choice.  The flowers slowly changed their forms before my eyes as the sun got higher!  Instead of panicking, I decided to relax and just enjoy the beautiful weather.  If the painting didn't turn out well, what did it matter?  Unlike the day before, bees, not a snake, kept me company.  Occasionally, park visitors stopped by to take a picture of me and roses.  I spent three lovely hours in the midst of roses.

When I came home, I printed out the photo of my models and worked on the problem areas right away since the paint was still wet.  I doubt that I will go back to the rose garden soon, but I learned much that day about shadows on roses.  With warm light, such as the sun, the shadows are generally cool; wtih cool light like the light from a north-facing window, shadows are warm; this rule, however, doesn't apply to roses because their petals are translucent.  Do you know what?  Some shadows were cool!  I read art books religiously, but nothing beats practice.  Painting from life in natural light for three consecutive days was a great gift to myself.

"Orange Sail" (oil on stretched linen, 14" x 11") sold

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It is chilly today; the weather forecast is threatening snow tonight.  Time to look at a summery painting to cheer up.  A photo I took years ago became a reference for this studio painting.  It must have been a perfect day for the couple who sailed on the Potomac that day.  The river never looks this blue; its colors are a range of grays, to put it politely.  The sails were really those bright oranges--one of my favorite colors.  Orange and blue are complementary colors, so together they vibrate.

"Evening Walk in Dublin" (mixed media on paper, 14" x 10") sold

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The scene is Dublin in sunset.  The mood is dreamy.  The technique--definitely pointillist.  The painting won the Best in Show in The Art League monthly show in 1996.  When I heard the news, I almost fell off the chair, because I had never been accepted in a juried show, not alone won an award.  The beginner's luck!

This piece is the first decent painting I have ever created.  When I started painting, I chose colored pencil, because it felt least intimidating.  In Pat Barron's class at the Art League School in Alexandria, VA , there were some students who were working on the paper first painted in watercolor.  So I emulated them.  Pat complemented me on the palette I had chosen--orange, green, and violet, saying that it was a classic triad of secondary colors. 

At that time, I didn't know a darned thing about colors.  Now I look at the body of my work, I see a great deal of these three colors, as if I was born color-coded with oranges, greens, and violets.  Interesting.  Pat no longer teaches; she has retired and moved.  I hear her health is failing.  She was one of my first art teachers and I am grateful to her.  The painting is dedicated to Pat Barron.

"Pink Cherry Blossoms" (watercolor on paper; 5" x 7 1/2")

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A dusting of snow last night, and quite chilly today in northern Virginia.  More images of warmer days to cheer you on.  "Pink Cherry Blossoms" is another watercolor painting that was juried into the Small Works Show at The Art League in 2002.  I was busily uploading my old artwork on paper onto my website over the weekend, and kept finding these small paintings.  Perfect!

"Ruins of the Ancients" (oil on linen; 8" x 10") sold

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Hovenweep means in the Paiute and Hopi language "deserted valley."  The 20-square-mile area of Hovenweep National Monument, straddling Utah and Colorado, was once farms and fields cultivated by the Ancestral Puebloans.  There are now only several ruins of high towers, dating from the mid-13th century.  I painted Hovenweep Castle under a sunny sky in peace and quiet last August. 

The hill in the background was darker than the green slope in the middle ground, so I had painted as I saw.  My teacher, Sara Linda Poly, told me to forget what I saw and to paint over it with a pale mauve glaze.  Now it is settled back where it should be.   Paint what you see, but also paint what you know.  An important lesson.

"Agapanthus and Yellow Wall" (oil on linen, 5" x 4") sold

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This is a wall of a motel in Eureka, CA--painted in bold yellow.  Then the management had had the ground landscaped in a complementary color scheme with blue flowers.  Their color sense was impeccable.  I love California!