"Bixby Bridge Big Sur" (oil on linen, 8" x 10") sold

 

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The famous view of the Bixby Bridge at Big Sur, California. Completed in 1932, the concrete span, one of the highest bridges of its kind in the world, soars 260 feet above the bottom of a steep canyon carved by Bixby Creek. I love Big Sur!

"Great Falls Rapids" (watercolor on paper; 9" x 12")

 

"Great Falls Rapids"

 

The following is the description of what we did in the sixth week of the spring term, 2022 for my "Watercolor from Start to Finish" class (my online Zoom class with the Art League School in Alexandria, VA).

This week we painted rocks and rapids with "Great Falls Rapids". Painting a landscape can be daunting due to the seemingly endless shapes of trees, leaves, rocks, etc. It is essential to break the scene down into big shapes. In this painting, there are three big shapes of the sky, trees, and rocks/water. As you are familiar by now, we generally paint the landscape from what's farthest to the closest from us (from the top to the bottom of the paper).

So, first we wetted the sky thoroughly and evenly and painted it in cobalt blue in graded wash. We dried the paper for the next step of the tree shape. By the way, the rest of the painting was painted on dry paper with mostly hard edges.

Here I decided to do something different from my sample painting above, which I felt too claustrophobic. Upon analysis, I realized I had painted the trees (two stacks of the farther, blue green and the closer yellow green treelines) too dark and too bright. Instead I decided to paint them slightly lighter, duller, purpler and with less details (and soft edges between the two stacks) so that they will recede to the background instead of coming forward.

For the darker tree stack, I used the purple mixture of French ultramarine blue and permanent alizarin crimson and cut its brightness down a little with the complementary yellow (quinacridone gold). We used the largest round brush we can handle for the tree shape.

While the wash was still damp, we quickly brushed in the dull blue green mixture of ultramarine blue and gold, making sure this front stack was lighter (more water and less paint!). If you are quick enough, you will end up with the soft blurring between the two stacks of trees.

While this front stack was still damp, I decided to brighten the wash by charging (dropping) Winsor lemon into the wash (make sure you don't introduce too much extra water). That was enough and we were done with the tree shape That's how I like to roll with the minimum fuss.

Now the fun and excitement of painting rocks and water began. That rocks are hard and water is not is what you have to remember. Forget the details and focus on the big shapes and gradually break down the big shapes without ending up with tiny pebbles or hard-edged, frozen water.

First, we painted the rocks, then water. For the first wash of the rocks, we painted in a light mixture of gold, burnt sienna and cobalt blue, sometimes pushing the color to yellow, sometimes to brown, and sometimes blue. As long as you don't mix the three colors completely, you can paint the same light-value, first wash in subtly changing colors!

For the mid-tone planes and dark crevices and cracks, I used two different dark mixtures: the first mixture of ultramarine blue, alizarine crimson and gold and the second Jane's Gray mixture of ultramarine blue and burnt sienna. Remember that the rocks are not only hard-edged, but also round objects with volume. Think mass/planes, not lines. Otherwise, you will have a bunch of flat-shaped, busy-looking thingies. Also don't paint over all the light-value, first wash shapes. They are the highlights. Think light, mid-tone, and darks to create the rocks with hard outer edges, but with voluminous mass.

Make sure you don't accidentally paint over the white water shapes. Paint slowly, looking for the rock shapes. Get into the flow and enjoy the process. You are not in a rush to finish the painting. If you get tired because this may take a while, take a break or finish the painting another day.

For the water shapes, we switched to Winsor blue as the base blue; it's a transparent, staining, and cool-temperature/greenish blue. For the turquoise water, we added Winsor lemon; for purple areas, we added a little alizarin crimson. Leave plenty of white shapes to suggest white water. If you accidentally lose white water shapes, it's okay to retrieve them with a white gouache, but it's always best to be mindful and utilize the white of the paper to the maximum.

I  didn't get to finish the demo. But I love the way it's heading; it's so much better than the sample painting, don't you think? I may even finish it someday. I think that's the value of doing the same project twice: learn from the first try and do things better and differently the second time. Be one's own constructive critique without the destructive self-talk. Be kind to oneself, but be objective to oneself as well.

"Great Falls Rapids Class Demo in Progress"

"Spring Wildflowers" (watercolor on paper; 12" x 9")

"Spring Wildflowers" (12" x 9")

Let's take a walk on a beautiful spring day in the park. This is the Virginia nature trail at the Green Spring Gardens Park in Alexandria, VA. I see blue woodland phlox and golden ragwort blooming. Dappled light on the path is as delightful!

"Spring Wild Flowers" Reference

Dappled light is the spotted light which comes through gaps in a tree canopy and produces the feeling of light and the airy, cheerful mood in a landscape and cityscape. I am teaching a in-studio workshop at the Art League School in Alexandria, VA on December 4 and 5, 2021.  We are going to create these happy paintings together through the mastery of edges, greens, and shadow colors! 

 

"Storm Moving In" (watercolor on paper; 9" x 12")

"Storm Moving In" (watercolor, 9" x 12)

 

I decided to blog about my online Zoom classes with the Art League School in Alexandria, VA. This is what we did in the sixth week of the fall term, 2021 for my "Watercolor from Start to Finish" class.

The first business this week was finish "Holmes Run Rocks". First, we painted the first layer of the rocks and pebbles with the mixture of quinacridone gold and a little bit of purple (cobalt blue and crimson). Make sure you paint around the sun-struck highlights (if you lose the white of the paper, you lose the game!). If necessary, draw the pebble shapes first, then paint around them.

We started the second stage with the big tree shape using the dotty pointillist method of applying paints. I used three tones: the light tone green (Winsor lemon and cobalt blue), the mid-tone green (cadmium yellow pale and ultramarine blue), and the dark tone (ultramarine blue and permanent alizarine crimson). The tree trunks and branches were painted with the mixture of ultramarine blue and burnt sienna (this is called Jane's Gray).

Then, we moved on to the rocks and pebbles with the dark shadow tone of cobalt blue/ultramarine blue and crimson. We have already established the mid-tone in the first stage. You will see the rocks and pebbles suddenly emerging before your eyes!

The final touch that brought the painting together was the glazing of the big water shape. We wetted the shape first, then dropped the mid-tone mixture of gold and burnt sienna. Quickly we painted in the reflected shadows of the trees and the submerged pebbles with the purple mixture of ultramarine blue and crimson. If your paper is too wet, whatever you put down will fuzz into the water!

"Holmes Run Rocks Demo" (watercolor, 12" x 9")

As you can see my demo painting above looks a little different from my sample painting below. Which one do you like better?

"Holmes Run Rocks" (watercolor, 12" x 9")

The main business of this week was painting a triptych, "Storm Moving In". The first image below is the reference photo I took on Assateague Island. Instead of painting from it as is, I cut it up into three unequal pieces, moved them around until I found a pleasing design, which is the second image. Basically, I placed the tall left panel in the right side and put the two divided right panel pieces in the left for the heck of it!

Anything that moves (in this case, a seagull in flight) becomes the center of interest, which happens to fall in the sweet spot of the picture (one quarter way down from the top and one quarter way in from the left edge; there are four potential sweet spots in a picture, by the way). The tall right panel is now the anchor; the two smaller panels on the left are not of the equal size.

"Storm Moving In Original Reference"

"Storm Moving In Reference Reimagined"

Making sure the horizons are straight and at the same level, and at right angle to the side edges of the paper, we drew them with the help of a ruler/straight edge. Then, we divided the picture with a 1/2"-wide washi tape (not so tacky tape) into three small paintings that cohere.

We started the painting with the right long panel. First we wetted the paper and painted the glowing sky shape and the glowing wet sand shape with the pale mixture of Winsor lemon and cadmium red pale. When the paper was dry, we wetted the paper again and dropped the blues in the clouds and the ocean waves with the blue mixture of cobalt blue and burnt sienna. The dark sand shape was painted in the mid-dark tone of ultramarine blue and burnt sienna.

When the first layer (which took two separate steps to avoid contaminating the alternating shapes) was dry, we glazed each shape with a little darker mixtures to create edges and drama. We will pick up from here next week!

"Storm Moving In Demo in Progress" (watercolor, 9" x 12")

"Assateague Island Sunset" (oil on linen panel, 8" x 10")

 

"Assateague Island Sunset" (oil, 8" x 10")

 

Assateague Island in the Eastern Shore of Virginia and Maryland is famous for its wild ponies. My family and I went there twice this summer for two short vacations. You can tell we love the place. We usually stay at Chincoteague, a small, less-touristy place than let's say Ocean City or Mytle Beach. 

There are beaches and salt marshes, of course, but Accomack County, Va, where the city is located, itself is a gem which makes you feel like you are thrown back seventy years with quaint towns and tiny islands to explore. We will be going back and I have already painted this lovely area quite a few times and more paintings are coming up.

In this image there were no ponies although they usually graze in this patch. After an overcast and rainy day, the exquisite sunset and its golden hues permeating the marshy landscape took our breath away! 

 

"Queen Anne's Lace Country" (watercolor on paper, 12" x 9") sold

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While driving along the St Croix River in Minnesota a few years ago, we saw this lovely view of the summer country dotted with delicate and elegant Queen Anne's Lace. My job was to recreate the sensation in watercolor. Do you think I succeeded?

"Monet's Giverny Garden in Wisteria Season" (watercolor and gouache; 8" x 8") sold

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Wisterias are blooming over the famous Japanese Bridge at the waterlily pond in Monet's Giverny gardens. The fragrance of white and purple wisterias perfumes the air.

"Bixby Creek Bridge, Big Sur" (watercolor on paper; 9" x 12") sold

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I love Big Sur, California. Ocher and green hills, intense blues of the ocean, colorful wildflowers, the Bixby Creek Bridge, and so on. I visited it this summer, this time under sad circumstances. The coastal paradise was as beautiful as ever.

"Watercolor from Start to Finish": I Am Teaching Watercolor at The Art League School!

Week 1: Introduction and Painting Donuts!
"Donut Bliss" (watercolor, 7" x 10")
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My dear friend Alice Kale, who teaches watercolor, has been pestering me to do the same for some time, and I finally surrendered to her persuasion. I took over another teacher's slot at The Art League School in Alexandria, VA. It is a six-week-long intensive introduction to watercolor, called "Watercolor from Start to Finish". An enthusiastic class of 18 has been meeting every Saturday from 9:30 to 12:30 for watercolor fun. At this point, we have just one more class to go. And what fun has it been!. This is indeed the beginning of a new chapter in my art career, as I will continue to teach as a regular staff at The Art League School from now on!

The first week I brought donuts to the class, since I thought their simple shapes and fun associations would encourage the beginners (minus two who are experienced watercolorists) to dive into watercolor without fear. And I was right. Some students ate donuts first and painted them from photos!

Week 2: Fruits and Vegetables
"Carrot Bunch" (watercolor, 9" x 12")

Drawing and painting from life is an invaluable training whether the subject is humble everyday things, or a figure. So carrying on the theme of still life of donuts of the first week, the students were asked to bring some fruits and vegetables of their choice for the second class. Several brought a bagful of produce; I love this class! Shapes got a little more complicated, but we are not so worried about drawing for now. (To those who want to improve their drawing skills, I recommend Bert Dodson's Keys to Drawing.) Instead we are focusing on the importance of values, edges and color temperatures in a painting.

Week 3: Landscapes
"Bixby Creek Bridge, Big Sur" (9" x 12")
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Week 4: More Landscapes
"Yaquina Head Lighthouse Sunset" (watercolor and gouache, 9" x 12")
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For the next two weeks, we painted landscapes. I did a demo of gradated/varigated washes and the students were let loose to work with the photos they brought, while getting accustomed to the watercolor terms such as washes, glazes, wet on wet/wet on dry, dry brush, etc. Landscape painting can get overwhelming with so many elements to deal with, so I emphasized that the class should look out for big shapes first. If one breaks down a picture into big shapes, there are usually only three to five. That's not so hard, is it? But landscapes often involve leaf/grass textures; boy, many went astray with them. It's been 23 years since I started painting watercolors and the memories of the excitement and frustrations are all coming back!

Week 5: Animals
"Emperor Penguin Love" (watercolor, 8" x 6")
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Changing gears, we painted animals this week. What fun it was! Several painted their dogs; many others painted colorful birds. It all comes down to this: paint what you know well and hold dear. And it showed. I am definitely keeping the subject of animals as part of my curriculum.

Week 6: Flowers
"Red, White and Blue" (watercolor, 7.5" x 10.5")
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One more week to go. Next week we will be painting flowers. We actually took a vote on this; between flowers, portraits, buildings, flowers won. But I let the class know they can paint whatever they choose for the final week. It's going to be fun and challenging no matter which!

Week 6: My awesome class intently painting flowers

"Lavender Girl" (oil on stretched canvas; 10" x 8") sold

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A little girl in a white shift dress and hat is walking in the lavender field, with a straw basket in hand. The golden late afternoon rakes across the purple clouds of lavender. The online workshop I took with Dreama Perry last fall got me into lavender fields, so I have painted several paintings of the theme. As they get sold, I am posting my work. Negligent, am I not?

"Indigo Blue Waterlily Pond" (watercolor on Yupo; 8" x 10") sold

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A lone white waterlily floats in the indigo blue pond. A watery, dreamy painting that is possible only on Yupo, which is a sleek synthetic paper that repels water. So water puddles and does unexpected things!

"Tree of Life" (watercolor on paper; 8.5" x 8.5") sold

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In my small painting, I tried to capture the majesty of the baobab tree at dusk, when there is still lingering daylight even as the stars start dotting the indigo blue evening sky.

The majestic baobab tree is an icon of the African continent. The baobab is a prehistoric species which predates both mankind and the splitting of the continents over 200 million years ago. Native to the African savannah where the climate is extremely dry and arid, it is a symbol of life and positivity in a landscape where little else can thrive. It is a succulent, which means that during the rainy season it absorbs and stores water in its vast trunk, enabling it to produce a nutritious fruit in the dry season when all around is dry and arid. This is how it became known as "The Tree of Life".

Baobab trees grow in 32 African countries. They can live for up to 5,000 years, reach up to 30 metres high and up to an enormous 50 metres in circumference. Baobab trees can provide shelter, food and water for animals and humans, which is why many savannah communities have made their homes near Baobab trees.

"Mont St-Michel Dreams" (oil on stretched canvas; 18" x 24")

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The Mont St-Michel is one of Europe’s most unforgettable sights. The staggering location has long inspired awe and the imagination. Scamper, at low tide, across the treacherous mudflats in the Bay of Mont St-Michel in northwestern France. Head for a dramatic abbey reaching to heaven from a rock surrounded by a vast and muddy solitude.

The story of how the mount turned into a great place of Christian pilgrimage is colorful. Aubert, bishop of the nearby hilltop town of Avranches early in the 8th century, claimed that the Archangel Michael himself pressured him into having a church built atop the island just out to sea.

The dukes of Normandy, followed by French kings, supported the development of a major Benedictine abbey on the Mont St-Michel. Magnificent monastic buildings were added through medieval times. The abbey became a renowned centre of learning. Vast numbers of pilgrims visited, despite warring cross-Channel royals.

The sight of the distant silhouette of the Gothic island-abbey Mont St-Michel send tired sightseers spirits soaring today just as it did the spirits of weary pilgrims in centuries past.

"Winter Wonderland" (oil on stretched canvas; 24" x 30")

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I have been working on this painting for a few months.  It was initially a plain snowscape.  It was boring, so I decided to have fun by turning it into a zoological painting by adding the kinds of animals that are likely to appear in a suburban park.

After a light snowfall, the sun is out. So are the animals in the neighborhood. I see a white dog and her bouncy puppy, a red fox watching them, a stag and a young deer, a white rabbit and a brown one which must have spotted the fox, a robin and a great horned owl. I could have gone crazy by adding a coyote, more birds and dogs and deer, but my husband said there were already enough animals. Ha! 

"Goosey Goosey Gander" (oil on stretched canvas; 20" x 16")

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Goosey goosey gander, Whither shall I wander? Upstairs and downstairs.... Well, this family of goose, gander, and goslings are swimming in a row in a pond. How many goslings do you see?

"Red and White House by the Sea" (oil on stretched canvas; 12" x 12")

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Build a red house with a tall chimney by the sea. Paint white stripes for fun. Kind of a grown-up fairy tale.  One wonders what goes on behind the dark door and windows.

"Assategue Island Dusk" (mixed media on paper; 18" x 14") sold

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A popular camping site along the mid-Atlantic coast, Assateague Island is also famous for its feral ponies.  I was aiming for the peace and solitude that can be found at dusk when the crowds are gone.  The painting is a mixed-media piece, with colored pencil and oil pastel on watercolor.  How do you like it?

"Kauai Sunrise" (oil on stretched canvas; 24" x 24" x 2 1/4")

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A few years ago, my family spent a blissful week in the tropical island of Kauai.  On the last day of our vacation, I got up early to greet the dawn.  As the blinding light almost obliterated the divides between the sky, sea, and beach, I felt melting in the warm, all-embracing light.  "Kauai Sunrise" is based on a sun-bleached photo I took that morning.  Isn't my painting much cooler?  What do you say?

The reference photo

"Bishop's Garden Summer" (oil on linen; 8" x 10") sold

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Tranquility reigns at the Bishop's Garden of the Washington National Cathedral in Washington, DC on a sunny summer afternoon.

"Central Park Spring" (oil on stretched canvas; 12" x 9") sold

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On a sunny spring day, take a walk in the cherry tree tunnel at the Central Park in New York City.  Tread lightly as the pavement is covered with pink petals.