"Winged Victory of Samothrace" (watercolor on paper; 20" x 14")

click here to buy

The famous ancient Hellenistic Greek statue at the Louvre Museum in Paris was the inspiration for the painting.  The 2nd-century BC marble sculpture of the Greek goddess Nike (Victory) was created to honor a sea battle.  Since 1884, it has been prominently displayed at the Louvre and is one of the most celebrated sculptures in the world.  Although headless, it conveys a sense of action and triumph.  I cannot imagine it with a beautiful woman's head, just as I cannot think of "Venus of Milo" with arms.  The power of imagination!

I visited the museum back in 1997 during a two-week trip to France with my husband. I was awed by the beauty of a chunk of an ancient marble.  I wanted to paint it and paint it well.  It was particularly challenging project.  The reference photo with a flat, interior lighting didn't give me much value variation.

I crumpled a thin piece (90 lb weight) of watercolor paper, which crackled (damaged) the surface.  A sacrilegious act, but I was going for an unfussy way to suggest the marble texture. The background interior of the museum was pained with minimum details, whereas I carefully punched up the statue as much as I could with the same limited palette.  It is a subtle, blue painting, which is curiously alive.  You can almost feel the breeze caused by the fluttering wings of the goddess, which is about to take off!

The painting was juried into the Art League show in Alexandria, VA in 2006.

"Capitol Nocturne" (oil on linen; 12" x 12") sold

sold

I thought I would create a series of evening scenes of famous Washington landmarks.  "Capitol Nocturne" was actually the third in the series, but it was the first one that turned out right at the get-go.  Painting from the reference photos of nocturnal images that did not give much information about details and colors was not easy. I also wanted these nocturnes to be as evokative and stirring as Beethoven's "Moonlight Sonata."

Capturing the drama of the brilliantly-lit US Capitol dome  and lights and their reflections in the pond was my goal in "Capitol Nocturne."  About half of the painting session was spent painting upside down in an effort to get the image and reflections to match up more or less.  I would bring the painting to a mirror to look at it reversed, only to put it back on the easel in the wrong way!  Wait a minute, which way was I painting?

"Buddha in Lotus Pose" (oil on linen; 8" x 6") sold

sold

This is a famous, thousand-year-old, terra cotta statue of Buddha, from the Chinese Sung Dynasty, at the Minneapolis Institute of Art.  The reference photo, which I cannot find to share, was taken several years ago during my family's annual visit to Minnesota.  My husband's elderly aunt and uncle took us to the great museum, with a fantastic collection of Asian art.  Dear Aunt Betty, who suffered from Alzheimer's Disease, passed away a couple of years ago, so the painting is dedicated to her.

Buddha's gentle expression restores calm whenever I look at the picture, so I decided to paint the statue.  I have actually painted it in acrylic several years ago, not just the statue, but also the entire section of the museum where it is installed, plus the scenery outside!  I failed very badly despite my numerous attempts to save it.  The large painting (18 x 24") was not good enough to be donated to the annual Patrons Show at the Art League in Alexandria, VA.  I couldn't possibly toss it into the trash either.  So it has been sitting in my office since.  Doing a small, reasonably good painting finally released me from suffering.

Buddha, the Enlightened One, has taught that there are two causes to manyfold sufferings of the mankind--desire and aversion.  When you want something (or someone) terribly, your desire will result in pain.  If you dislike, hate, abhor something (or someone) intensely, you will also suffer. By wanting to paint the statue well, I have suffered.  No more.

As you may have guessed, I am a Buddhist.  I grew up in a Buddhist family in Korea, but didn't think much of the religion.  In my thirties, I rediscovered my heritage and have been trying to live by the Enlightened One's teachings--mindfully and with loving kindness. It's not easy for someone who is impatient and passionate (you know passion can go both ways!).  But I will continue to do my best.

"Rose Arbor" (oil on linen, 8" x 10")

click here to buy

It was in the low 70's a few days ago, and I got excited about an early spring, especially after I spotted snow drops blooming in my garden.  I shouldn't have.  We are back to winter today and I am back to day-dreaming about a mild spring weather in which I can paint outside.

I have been to George Washington's River Farm in Alexandria, VA many times, and every time I was enchanted by this scene with a series of brick pergolas.  The day when I painted the piece last year was my lucky day with perfect light and roses in bloom.  The roses were pink, but I changed them to white.  Why not?  It seemed to work better that way.  By the way, "Rose Arbor" is one of my favorite plein air paintings.

"Hush, Baby" (acrylic on paper; 4" x 6")

click here to buy

This is an old piece, but seemed appropriate for the season of angels.  It's an acrylic painting (on paper) of an angel statue in Burgundy, France.  The spots in the background that look like lights sparkling in the sky were created by dropping rubbing alcohol to the still damp surface.  The painting was juried in the Art League Small Works Show in Alexandria, VA in 2002.

"Saintly Garden at Carmel Mission" (oil on linen, 5" x 4") sold

sold

While travelling in California three years ago, I found  this statue of a Franciscan saint at Carmel Mission.  It probably is Father Serra, who died in 1784.  He is gently holding a crucifix in his arms in the midst of a beautiful garden.