The Collage of My August 2015 Paintings

The collage of my August 2015 Paintings

I guess I was in the mood for flowers last month.  Look at how many florals I painted in August!  Which painting is your favorite?

"Monet's Rose Arbors" (oil on stretched canvas; 14" x 18") sold

sold

If there is the heaven for rose lovers, it will look exactly like this. I can stay in this garden of Monet's with a row of rose arbors forever!

"Rose Arbor" (oil on stretched canvas; 12 x 16")

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Don't you want to walk through the blue arbor gate, heavily laden with the cascading roses?  I can almost smell the enchanting perfume of the old-fashioned roses called "Pinky".  No, I don't live in this lovely house with a rose garden.  It belongs to my old friend, Beth.  Eve in the title is her cute little daughter's name!

"Rose Arbor" (oil on linen; 8" x 10")

"Rose Arbor"
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"White Picket Fence" (oil, 11" x 14")
sold

"Summer Garden" (oil, 10" x 10")
sold

"Victorian House" (oil, 11" x 14")
sold

Some paintings evoke strong feelings of nostalgia and longing.  Perhaps it is a porch, a rose arbor, or a white picket fence.  One wants to step into them and become part of the care-free place and time that these paintings promise.

"Beth's Rose Arbor" (oil on linen; 11" x 14") sold

sold

Reference photo

Beth is a dear friend of mine who went to graduate school together in Minnesota.  She, a fellow historian, was indeed my first American friend, who helped me acculturate to the new country.  Several years later, Beth, a person with a heart of gold, took time and trouble to edit my 400-page-long PhD dissertation!  Alas, we haven't seen each other for almost 20 years.  The only remaining contact was the annual Christmas card, which kept us in touch. 

That was until we reconnected through Facebook.  We now know what's happening in our lives, family, and house.  I saw the robin's nest with four eggs right on a window sill at her house and worried whether they would make it.  They did.  Last week she posted several pictures of her garden; one particular picture of the rose arbor caught my eye.  I asked her if I could paint from it.  She replied "yes" and emailed me the full file. 

We agreed that the gas meter and other evidence of the everyday suburban life be edited out from a painting.  Since I have never been to her house, I couldn't tell what was beyond the inviting arbor/gate, heavily laden with the old-fashioned roses called "Pinky".  So I had to make up as I went along.  I am not a big fan of the late Thomas Kinkade, but "Beth's Rose Arbor" has the Kinkadian romantic feel, doesn't it?  I hope Beth approves.

"Rose Arbor" (oil on linen, 12" x 16") sold

sold

Reference photo

No, I didn't paint the picture outside.  In this heat?  No way!  A friend of mine who painted with me at Green Spring Gardens Park on Tuesday ended up in a hospital emergency room.  Please drink plenty of water and stay cool.

I took the reference photo at River Farm in Alexandria, VA exactly a month ago, and started the painting soon after.  But lots of things happened since; it got put aside.  Once the excitement is gone, it's hard to get back to that place.  Since leaving something unfinished goes against my "I am not a quitter" philosophy, however, I managed to complete "Peach Roses." 

As we are getting into the green-green-everywhere-green season, a landscape painter's task is to learn to mix many shades of greens--warm, cool, intense, grayed, dark, pale, etc.  I pushed back the distant pergola and the rest of  the right side of the painting by using lots of grayed violets.  For that reason, the painting is much easier to read than the photo, which tends to flatten space.  Now I am done with the darned thing, I can paint something else.  Yeah!

"Garden Statue" (oil on linen; 12 x 12") sold; "Rose Arbor" (oil on linen; 8" x 10")

"Garden Statue"
sold

"Rose Arbor" (oil on linen, 8" x 10")
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River Farm in Alexandria, VA used to be owned by George Washington; it is now the headquarters of the American Horticultural Society.  It is also beloved by plein air painters who are welcomed to add the artistic touch to the already enchanting landscape.  Sara Linda Poly's plein air class met there yesterday on a perfect spring day.  I painted "Spring at River Farm" at my favorite spot, looking at the stone statue of a young faun (or satyr, as the ancient Greeks would have called it) through the red-brick pergolas.

As you can see, I have already painted the same scene from a different perspective. What was funny is that my friends also painted their favorite scenes they had painted before: Charlotte painted the white manor house as she did the last year and Alice painted the azaleas against trees likewise.  We seemed to be obsessing over the same thing all over again!  This is something on which psychologists can shed light. 

"Rose Arbor" (oil on linen, 8" x 10")

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It was in the low 70's a few days ago, and I got excited about an early spring, especially after I spotted snow drops blooming in my garden.  I shouldn't have.  We are back to winter today and I am back to day-dreaming about a mild spring weather in which I can paint outside.

I have been to George Washington's River Farm in Alexandria, VA many times, and every time I was enchanted by this scene with a series of brick pergolas.  The day when I painted the piece last year was my lucky day with perfect light and roses in bloom.  The roses were pink, but I changed them to white.  Why not?  It seemed to work better that way.  By the way, "Rose Arbor" is one of my favorite plein air paintings.