"Chestnut Beauty" (oil on linen; 7" x 7") sold

sold

This chestnut beauty is part a draft horse, which is a bigger breed.  She is a gentle giant and easy keeper.  The next year is the Year of the Horse.  My horse painting will bring you a joyous, prosperous year!

"Lavender Patch by the Barn" (oil on linen; 9" x 12")

After
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Before

The scene that inspired the painting

"Lavender Patch by the Barn" was one of the paintings done during the workshop with Bobbi Pratte at Willow Pond Farm in Fairfield, PA in June.  I painted the lovely scene in the shade of a big tree. As the painting progressed, the sun moved, enveloping the purple lavenders in the back in shadow and highlighting those in front. Perfect!

The teacher and several of the workshop participants loved the painting very much, so I figured it must be good and I should like it too.  But deep inside, something bothered me.  I will tell you all about my doubts and how I worked things out of system. 

Bobbi was thrilled to see me working so hard while everybody was taking a well-earned break after lunch on the first day of the workshop.  She was particularly happy with my choice of the painting subject.  She would have painted it herself if she had not been so busy taking care of students.  She gave me several good suggestions, one of which was "don't paint the white wall of the barn too high-keyed" because it would come forward.  She told me to paint it grayed blue.  So did I dutifully. 

But that dingy blue wall in the back kept nagging me ever since.  To me, it was a depressing color in a happy, sunny painting.  It just didn't belong there.  The white wall, although in shadow, had a lot of light bounced back from everywhere.  Thus, while keeping the value low enough, I brought light back to the wall.  The painting finally began to sing.  I made a slew of adjustments, but the most important change was the afore-mentioned barn wall.

The whole business made me wonder.  What is the right thing?  Do I always act upon what the teacher says?  Or do I trust my own judgment and do my own thing?  For last two months, I have been taking a break from classes, workshops, and even paint-outs with friends.  In other words, I have been doing "my own thing," figuring things out on my own, and allowing my own voice to sing my own song.  I see big changes in my work and I like my new style.  I will go back to the classroom in the fall, but I don't think I will always follow the teacher's advice.  I will continue to do my own thing.

"Silent Night" (oil on linen; 10" x 12") sold

"Silent Night"
sold

"Snow Valley" (oil; 10" x 15")
sold

Snowscape is another favorite subject of mine.  So much so that, I am in danger of running out of my reference material for snow paintings, as I live in an area that doesn't get much snow.  Of the two latest snowscapes, I like "Silent Night" better.  Snow is inherently a cold matter.  Unless much care is taken, a snow painting will be too cold to look at.  I thought that the warm-toned clouds in "Snow Valley" will balance out the cool colors in the rest of the painting.  But, over all, it feels too icy for comfort.

So I am going back to painting snow scenes in early morning or late afternoon light.  Sunset is even better.  Snow reflects everything around it and, of course, the ambient light. The brilliant colors in the sunset sky seem to bring out the best in snow.  If only it would snow!

"Sheep Country, Yorkshire" (watercolor on paper, 10" x 6 1/2" each) sold

sold

"Sheep Country, Yorkshire" was an interesting exercise in Carolyn Gawarecki's class that I took several years ago at the Art League School in Alexandria, VA.  We were to paint a triptych, each painting with a distinct foreground, middle ground, and background.  Then we had to assign the different values (light, mid-tone, and dark) to the three parts in each panel, never repeating the same scheme.  Colors were a secondary consideration and we had to focus on values.  A big headache!

The above painting is what I came up with.  The left panel has a light foreground, mid-tone middle ground, and dark sky; the center panel has a mid-tone foreground, dark middle ground, and light sky; and the right panel has a dark foreground, mid-tone middle ground, and light sky.  As it happens, the left panel has the feeling of an early morning; the center panel, that of the mid-afternoon; and the right panel comes across as a scene at dusk.  How about that!  Good teachers exercise our mind and force us to grow.  Thank you, Carolyn.

"Miss Daisy and Lambs" (oil on linen; 11" x 14") sold

sold

Oliver H. Kelley Farm in Elk River, Minnesota is a historic working farm that grows oats, hay, sorghum, and animals.  We saw oxen, horses, Miss Daily (one-year-old heifer), chickens, lambs, three piglets, and their mom.  On this hot, hot August day, Miss Daisy and two lambs were huddled together trying to find shade, although there wasn't much.  The scene was so funny that I just had to paint it.

I have a thing for animals; my favorites are sheep and giraffes.  I have painted cows, sheep, elephants, giraffes, polar bears, zebras, pandas, ostriches, ducks, geese, etc., although I don't consider myself an animal painter.  It must be their endlessly beautiful forms.