"Enchanted Harbor" (oil on stretched canvas; 18" x 18") sold

sold

As my husband is from Minnesota and has lots of relatives there, we often visit Minnesota.  We spent a pleasant day in Grand Marais on Lake Superior in northern Minnesota during one of our visits a few years ago.  It is a picturesque artist community with two harbors and lighthouses.  The reference photo for the painting was backlit and pretty much black and white.  But I loved the composition and wanted to make a painting out of it.

I transformed a bleached-out, afternoon scene into a romantic twilight moment.  I went wild with dots in the water, sky and everywhere.  I hope you like my pointillist style as much as I do!

"Harbor in Late Afternoon Light" (oil on stretched canvas; 18" x 24")

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I started showing my art on ugallery.com, the online gallery founded in 2006 and based in San Francisco.  It's a new era in my art career with larger, better paintings, as the gallery curates the artwork submitted by the artists.  I have already got four of my paintings turned down.  I'd better work harder!

"Harbor in Late Afternoon Light" is an old painting that I spiffed up with dots.  The late afternoon sun was striking Noyo Harbor, a small, working harbor in northern California at a perfect angle, making everything glow.  How do you like it?

"Sunset Harbor" (oil on linen; 12" x 12")

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A small working harbor at Newport, OR is one of the most charming harbors I have ever seen.  At sunset, it is even more beautiful.  I have painted the subject four times in different mediums and styles.  What can I say?  I am enchanted by Newport, OR!

"Red Sails" (watercolor on Yupo, 20" x 26"; sold)

"At Ease" (acrylic, 18" x 24"; sold)

"Red Sails" (oil, 18" x 18"; sold)

"Morning Harbor" (watercolor on Yupo; 20" x 26") sold

sold

As you know, I used to be a daredevil watercolorist.  I would occasionally pull out a full-sheet of Yupo, the  slick, synthetic "paper" with zero absorbency, let my hair down, and do the wild thing.  With Yupo, the artist has very little control over the painting process.  Paints puddle in oddest places and do their own crazy stuff.  "Red Sails" is the probably the best Yupo painting I have ever done.  I absolutely adore its drippy, watery, lyrical quality.

"Red Sails" (watercolor on Yupo, 20" x 26") sold

"Morning Harbor" is another watercolor painting on Yupo.  It depicts a harbor in northern England bathed in the morning light.  There are no puddles in the painting!  I don't know how I was able to pull it off.  I probably tried a few times to get it just right. (The Yupo surface mars easily; one cannot make corrections easily.)  If I had not told you, you would not have thought it was a Yupo painting.  It has an airy, serene, whispering quality.  Which painting do you like better?

"Red Sails" (oil on stretched canvas; 18" x 18")

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Also titled "Red Sails" (watercolor on Yupo, 20" x 26")
sold

Hello, June!  With one foot into the summer, I thought it would be a terrific idea to do a series of boat/ship paintings this month.  The June Challenge is "Sail Away"!  To kick off the series, I revisited an old painting of Newport, OR.  The fishing boat with red sails had become a floating museum of seafaring in this picturesque working harbor, where my family spent a lovely day during a vacation in 2001.

I painted the first "Red Sails" in watercolor on an unpredictable support, Yupo.  It turned out well to my relief; it went on to be juried into the Art League Landscape Show in 2002 and was sold in my first solo show in 2006.

It was my husband who suggested that I should do a painting of "Red Sails" in oil.  Why not?  I cropped the scene into a square format and came up with a new color scheme of red and green with blue gray and grayed yellow orange as the neutral backdrop.  It was a perfect project to test out Gregory Packard's method of a neutral, mid-tone beginning.  The busiest, brightest, lightest, and darkest elements of the painting are all packed into the central area.  

I loved the watercolor version and was a little sad when it got sold.  Now I have a new "Red Sails" to look at.  So please tell me which version you like better?

"Historic Portsmouth Harbor" (oil on linen; 9" x 12") sold

sold

Time was running out.  We had only one day left in the country before leaving for the town (i.e. London) for the final leg of our English trip.  After a lengthy discussion, we decided to visit Portsmouth Historic Dockyard.  It was close from Sidlesham, where we were staying.  Besides, my husband LOVES ships (and airplanes).  Yes, I am one of those wives who have suffered over the years to keep company of their husbands wowing over old ships and airplanes at museums.

Actually, I was glad of our decision because I got to go inside the HMS Victory.  This is the famous ship on which Lord Horatio Nelson died at the age of 47 at the Battle of Trafalgar in 1805.  As an Anglophile and British historian, it was touching to see the very spot of his death.  You see, the British and the French under Napoleon had been fighting like cats and dogs during the Napoleonic Wars.  After the heavy losses suffered in this historic naval battle, Napoleon had to give up his design to invade the British Isles. Hurray!

We heard an amusing (or macabre, depending on your taste) anecdote about the disposal of Lord Nelson's body.  He asked that his remains should be brought back to Britain for a land burial.  The crew came up with a clever idea of  "preserving" the body in a large barrel of rum for the several weeks' journey.  After landing, they toasted with "Nelson's Blood".  It was full-bodied!

The beautiful ship featured in the painting is the HMS Warrior--the world's first iron-clad ship from 1860.  Soon after I took the reference photo with puffy clouds, the sun disappeared for the rest of the day.  I was lucky!

HMS Victory; it is an impressive ship, don't you think?