"Summertime" (oil on stretched canvas; 20" x 16") nfs

nfs

This is my daughter when she was a kindergartner. I decided to paint the image in the style of Alice Neel (1900-84), the famous American portrait painter. The blue outlines and simple shapes seem to accentuate the happy feeling, which I needed desperately.

There has been a death in the family. My husband's first nephew, Erik Stenberg, died suddenly last week. He was only 38 years old, leaving behind his beautiful wife and three unbelievably blond children (aged 9, 6, and 1). No illness, no accident, just the fluke toxic shock syndrome. He was healthy and happy one day; the next day, he was gone. How do you deal with that kind of tragedy? We are all in disbelief, grief, rage, and regrets.

I forced myself to finish "Summertime", which I had started in a jubilant mood the day before the sad news. In work I sought solace, which didn't come easily. But a couple of pressing commissions are upon me and seem to help.

"Red and White House by the Sea" (oil on stretched canvas; 12" x 12")

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Build a red house with a tall chimney by the sea. Paint white stripes for fun. Kind of a grown-up fairy tale.  One wonders what goes on behind the dark door and windows.

"Black Tulip Dress" (oil pastel on paper; 20" x 14") sold

sold

An unused box of oil pastels I had bought several years ago bugged the miser in me to do something about it, so this weekend I took a workshop with Lisa Semerad at the Art League School in Alexandria, VA.  Oil pastel is waxy pastel that doesn't behave like the traditional chalk pastel at all.  It doesn't produce dust for one thing.  Art is great, but with cadmiums in some paints, who wants to breathe in toxic stuff and die young? 

It's gooey, tactile, and versatile.  You can combine this nifty medium with oil, acrylic, watercolor, and colored pencil; you can paint on paper, canvas, metal, glass, plastic, or whatever!  If Henri de Toulouse-Lautrec had had these babies, he would have created an even wilder oeuvre.

There were ten students in the workshop, and we shared the attitude of fun, experiment, and childlike fearlessness.  Since we didn't have much experience with the medium and didn't burden ourselves with the expectation to create masterpieces at the end of the day, we didn't get frustrated and remained thoroughly cheerful.  Guess what!  We did make some good art!  Look at "Black Tulip Dress".  Does it look like my usual artwork?  When I thought I had been really brave, Lisa came around to ask if I was ready for some crazy stuff.  Gasp.  I said "sure."  She began to scratch with a couple of colored pencils all  over the paper!  I continued the wild act and signed my name.  What a weekend!