"Mischief" (oil on linen; 7" x 7") sold

sold

"Mischief" is for Steve, my graduate school buddy and fellow historian, except that I no longer teach and he is still an overworked history professor!  Mischief, or Missy for short, was an English Springer Spaniel.  She was the runt of the litter, and the breeders didn't think she was up for the job as a gun dog.  Steve and his siblings got his father the puppy for Christmas the year their mother passed away.  My friend was as attached to Mischief as his dad was and considered her his dog too.  She died this summer and the painting is going to be the Christmas present for Steve Sr.

Mischief was a sweet, kind-hearted dog and behaved like a much younger dog all her long life. We had a lot of photos to choose from; Steve picked one particular photo, because he wanted to remember her outside and playing her favorite game of Frisbee.  I hope she approves from the dog heaven.

If you send your pet's pictures to kimstenbergart@gmail.com, I will make beautiful pet portraits out of them.  How fun is that!  Besides, my pet portraits make perfect birthday and Christmas presents.  Thanks!

My readers, in case you didn't notice, I have created a new page on my blog, called "Pet Portrait Orders".  You will find all the information you want to know about ordering a pet portrait.  Please check it out.

"Rose Arbor" (oil on linen; 8" x 10")

"Rose Arbor"
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"White Picket Fence" (oil, 11" x 14")
sold

"Summer Garden" (oil, 10" x 10")
sold

"Victorian House" (oil, 11" x 14")
sold

Some paintings evoke strong feelings of nostalgia and longing.  Perhaps it is a porch, a rose arbor, or a white picket fence.  One wants to step into them and become part of the care-free place and time that these paintings promise.

"Spring Woods" (oil; 10" x 8") sold; "Spring Woodland" (oil; 14" x 11")

"Spring Woods" (oil, 10" x 8")
sold

"Spring Woodland" (oil, 14" x 11")
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When trees start budding, they turn yellow green.  Leaves are not yet big, so they don't cast heavy shade.  Walk in the early spring woods.  It's airy and bright; it's an enchanting place!  Both paintings are based on a real place--the Virginia native plant trail in the Green Spring Gardens Park in Alexandria, VA.  I haunt the park in early spring, which has always been my favorite time of the year.

Did you notice a red bridge up a small stream in the first painting?  Many flowers populate the second painting, In the distance, one can see the pink redbud in bloom. In the middle ground, the dainty white bells of the common silverbell arc gracefully above the carpet of yellow woodland poppies.  I think I captured in both paintings the light-filled atmosphere of springtime in the woods.

"Spring Orchard" (oil on linen; 10" x 8") sold

sold

Pear and apple trees are blooming at an orchard.  In the distance, tall, budding trees look pinkish.  There is so much hope and anticipation in the air.  I love this time of the year!

"Winter Shadows" (acrylic on canvas; 24" x 18")

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In case you are wondering why I haven't been blogging often lately, here is why.  I came down with shingles over the Christmas holidays.  Yes, shingles.  Yes, it really hurts!  So I have been taking it easy.  Yesterday I felt a little better and overdid things.  Boy, a big mistake.  There is no reason, however, why I should always talk about new paintings.  I have plenty of old paintings to share with my readers.  Today I am going to share one of my all-time favorite paintings.

In northern Virginia, where I live, we get very little snow in some winters.  2012-13 seems to be such a winter as well.  Anyhow, this particular winter was one of those disappointing ones.  So when we had a little snow overnight, I was eager to take a walk in the neighborhood park.  There I saw this scene of the mellow winter afternoon sun casting long shadows over the fallen logs.  You wouldn't believe from the painting, but on top of the hill were suburban homes, which I edited out.  The painting was juried into The Art League show in Alexandria, VA in 2007.

"Winter Shadows" hangs proudly in my living room.  I don't paint this big very often, which is a shame.  I could play with subtle changes in color temperature and soft/hard edges throughout the canvas, while maintaining the mood of a brilliant light pouring through and uplifting the viewer.  Do you feel like you are standing in the woods and looking up?

"Autumn Glory" (oil on linen; 12" x 8") sold

sold

These days I feel like I am on fire.  It has to do partly with my hot flashes (!), but mostly it is because of my ardent desire to paint better.  Compare "Autumn Glory" with my one-month-old painting, "Autumn Park."  Which one would you rather have on your wall?  Do they even look like painted by the same person?

"Autumn Park" (oil, 10" x 8")
sold

By the way, doesn't the gnarled tree in "Autumn Glory" look like a tree ent?  I found it in the woodlands at Green Spring Gardens Park in Alexandria, VA last fall. I wonder if it is still there, or wandered away with some hobbits.

"San Francisco's Painted Ladies" (oil on linen; 11" x 14") sold

sold

Reference photo

I love San Francisco.  It is the city through which I entered the United States back in 1984.  For whatever reason, the moon was huge that evening.  I thought that in America even the moon was magnificent!  San Francisco has got to be one of the most beautiful cities in the world. 

You've seen these houses in postcards, right?  According to Diana Hollingsworth Gessler's Very California: Travels through the Golden State, hippies in the 1960's began painting some of the Victorian houses in Alamo Square in wild colors (up to 20 on one house), thus the great nickname.

I meant to paint the above scene for years, but didn't.  The assumed difficulty in architectural drawing was the reason.  I can be such a chicken sometimes.  Yesterday I finally felt brave enough to do it.  That's the beauty of having a goal of working on a series.  It really gets you motivated.  "Painted Ladies of San Francisco" is No. 3 in my new series-"California Colors."  California, here I come.

"Gen. Robert E. Lee's Equestrian Statue" (oil on linen; 14" x 11") sold

sold

Reference photo

If you read my blog regularly, you may recall that during my daughter's spring break, my family visited Charlottesville, VA. In the Old Town, we came across this equestrian statue of General Robert E. Lee at Lee Park. It had been a cloudy day, but luckily the sun came out just in time to cast gentle shadows on the handsome monument.

I had first considered a different view for the painting as you can see below.  This picture shows more of the park, which was fragrant with irises, viburnum, lilac, and other spring flowers.  The park square was so enchanting that I didn't want to leave the place!

Lee Park in Charlottesville, VA in springtime

I am not a Civil War buff.  As the Civil War was, to say the least, a defining moment in American history, I would have loved to be able to intelligently speak about it with some accuracy.  All I know about Robert E. Lee is that he was an honorable man and the commander in chief of the Confederacy.  I can't say I sympathize with his cause.  If I say that I wish he had fought on the Union side, I am sure it would be a heresy to some.  As I was painting the monument, Lee's body gesture came across to me as if he was saying  that "I wish this burden had not come to me."  Altogether, it was a poignant experience to paint "Gen. Robert E. Lee's Equestrian Statue."

"Rose Arbor" (oil on linen, 8" x 10")

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It was in the low 70's a few days ago, and I got excited about an early spring, especially after I spotted snow drops blooming in my garden.  I shouldn't have.  We are back to winter today and I am back to day-dreaming about a mild spring weather in which I can paint outside.

I have been to George Washington's River Farm in Alexandria, VA many times, and every time I was enchanted by this scene with a series of brick pergolas.  The day when I painted the piece last year was my lucky day with perfect light and roses in bloom.  The roses were pink, but I changed them to white.  Why not?  It seemed to work better that way.  By the way, "Rose Arbor" is one of my favorite plein air paintings.

"Winter Walk" (acrylic on illustration board, 20" x 30") sold

sold

Nature is not famous for moderation, and has hit the Northeast with another huge snowstorm.  This time, Washington, DC got caught in her furor as well.  Hundreds of thousands of homes are without power; some drivers got stranded on George Washington Parkway for up to 13 hours!  Oh, well.  At least children are home having fun playing in the snow.  

The sun is out. I am going to take a walk in the neighborhood park and take some pictures.  The park has provided many inspirations for my artwork over the years, and maybe I will get lucky today.  The painting won the Second Place in the Potomac Valley Watercolorists show in 2004, and was juried into the Art League show in Alexandria, VA in 2006.

"Down the Path" (oil on linen, 8" x 10") sold

sold

I hope you all had a wonderful Christmas.  We wished for a white Christmas, but it didn't happen in northern Virginia.  Just a little dusting. 

Today I am sharing an old work--one of my first plein air paintings.  It was painted last year at River Farm in Alexandria in early autumn, when the leaves hadn't yet begun to change colors.  I have always be attracted to paths.  If there aren't any, I sometimes invent one as a way of inviting the viewer into the painting.  In this scene, two pathways join and lead you far into the woods.  One wonders what will await you when you get there.