"Lotus Dream" (oil on linen; 10" x 8") sold

sold

Every summer I visit a lotus pond at a nearby park to admire the noble beauty of the lotus flower.  For the rest of the year I dream about its beauty.

Here I am using a Silver Bristlon flat brush #4 for the transparent underpainting.  The drawing has a lot of straight lines, so it helps to use a new brush with nice straight edge.  The unnatural green color is viridian.

I am in the process of blocking in with opaque paints.  The challenge of this painting is differentiating many greens in lotus pads: warm/cool, dark/light, and intense/grayed.

Continuing to develop the pads.  I also changed the "background" colors.

"Lotus Pond" (oil on linen; 8" x 8") sold

sold

I love everything about the lotus plant--its sculptural form, flowers, seedpods, and Buddhist symbolism.  Of course, I have to wait for five more months to see lotus flowers in bloom in my favorite park.  I went over there last Friday, a couple of days after the Nor'easter.  The scene below is what I found.  It's pretty, isn't it?  But I didn't paint it, because I know everybody is sick of snow.  Instead, I painted my favorite flowers.  How about that!

Geese in the lotus pond at the Green Spring Gardens Park in Alexandria, VA

"Brilliant Lotus" (oil on canvas; 24" x 18") sold

"Brilliant Lotus"
sold

"Lotus and Dragonfly" (oil, 12" x 9")
sold

Reference photo

The lotus is one of my favorite flowers and I never get tired of painting them.  Over the years I've painted them in watercolor, acrylic, and oil.  The sculptural flower with the Buddhist association looks great in all mediums.

Last year in early June, the plein-air-painting class with Sara Linda Poly went to the waterlily pond at Green Spring Gardens Park.  My first attempt at painting the lotus from life was a disaster.  The lighting condition, however, was ideal and I came home with several terrific pictures.  The following day, still smarting from the failure, I made another stab at the lotus.  "Lotus and Dragonfly" was the result of my persistence.  Since then, I've painted several more lotus paintings, small and large, and sold them all.

When a favorite client of mine asked me to do a larger version of "Lotus and Dragonfly," I wasn't sure whether it would work.  I tried as he "begged" for it.  And, boy, am I glad I listened!  My initial fear was that the lone lotus flower and yellow green undersides of several lily pads will dominate the painting.  As it turned out, there were enough details in the shadow areas to add depth and nuance to the bold composition. 

In the small version, there was no room for playing; most subtleties had to be sacrificed for the clarity.  Not so for "Brilliant Lotus."  You can look at it for a long time and still find hidden "secrets."  My client didn't want the dragonfly (there are actually three of them in the picture).  So they went, as his wish was my command.  I don't think they would have added much to the abstract beauty of the painting anyway.  It is fun to paint big, using large brushes.  It is also great to have a client with the sophisticated eye who appreciates and is willing to pay for original artwork.  Thank you!

"Dragonfly on Lotus" (oil on linen; 8" x 10") sold

sold

Reference photo

Two weeks of family vacation and a few days of recuperating from a bad cold put me out of action, but I am back! I hope you who live along the East coast are doing all right despite the Hurricane Irene.

Since I haven't painted for a while, I decided to go easy and do something simple--a painting of a single lotus flower and dragonfly.  If "Dragonfly on Lotus" looks familiar, it's because I have done another painting of the same subject ("Lotus and Dragonfly").  I apologize for repeating myself, but on my defense, by the time I was finished with it, I was all sweaty and had to lie down for my exertions.  I promise to do better next time!