"Autumn C & O Canal" (oil on linen; 12" x 12") sold

sold

Before

The scene captured in the painting

Speaking of bringing life back to an old painting, please have a look at what I did to "Autumn C & O Canal".  I painted it at the end of last October along the C & O Canal at a place called Wide Water, just north of Washington, DC.  It was a chilly day, so my fingers and feet got numb within an hour into the painting.  But the light could not have been better.

Then why does the untouched plein-air painting look wish washy?  This is what happened.  When I started the painting, the sun shined on us brightly (there were about ten of us that day), as you can see in the above photo.  The shadows on the embankment were strong, the reflections of the fall foliage in the murky canal water were absolutely breath-taking.

Then the sun started playing peekaboo with us; clouds rolled in; it became completely overcast by the mid-afternoon.  In other words, the painting was a victim of the typical hazard in plein-air painting.  I got confused, couldn't recall exactly the brilliant, bouncing colors that used to be there.

Using the photo as a guide, I brought back the light to "Autumn C & O Canal."  I may have exaggerated colors a bit, but I like the improved state a lot.  What do you say?

"Autumn Canal" (oil on linen; 12" x 12")

"Autumn Canal" blocked in

"Autumn Canal" almost finished

Today a group of friends, now called the Art League Plein Air Painters, went to Widewater along the C & O Canal, just north of Washington, DC. It was a chilly day, but the light could not have been better. In one more week, most leaves would be gone.  Fall colors were absolutely breathtaking.  I walked around along the canal and down to the Potomac River, taking pictures.  Wow!  I was in a painters' heaven.

Remembering how cold it got last Friday when I painted outside, I was better prepared today with woolen socks, boots, leather gloves, and a warm hat.  Even so, my toes and little fingers became numb after a while.  As I am determined to paint some snow scenes this winter, I'd better get a serious winter gear.

After a few hours of painting, we all walked over to the historic Old Angler's Inn for lunch to celebrate the launch of our new group.  We are going to design the "official" hat, have a group show at a gallery, and do lots of fun things in the future.  When several students of Sara Linda Poly started painting outside of her class last year, we had no idea where it would lead.  Another group out of The Art League organized a plein air painting group this summer.  What we did was to combine the two groups.  As they say, if you build it, they will come.  For us, if you start painting together, more people will join us.  We are thrilled.

"By the River" (oil on linen; 11" x 14") sold

sold

Last month was probably the wettest September ever!  Day after day, week after week, we were drenched.  Good for the lawn, but bad for the morale.  It felt like I moved to Seattle, WA.  So when the forecast promised a break of one sunny day, a friend of mine and I arranged a small paintout and kept our fingers crossed.  Last Friday finally arrived, and boy, we were lucky!  Just for several hours in the morning, it was a beautiful, autumn day.  Then, by the time we packed up, the clouds rolled in; the rest of the weekend was the usual washout.

We went to a place called Widewater along the historic C & O Canal along the Potomac River.  We could have painted the canal itself, but nearby we saw this spectacular view from a small sandy beach.  We were on the Maryland side, looking out the Virginian bank of the river.  Look at those magnificent rocks!  Yes, the river was muddy thanks to all the rain, but we could still see colors of the rocks and trees reflected in the water.  Goody!  I painted fearlessly, not worrying about getting all the cracks and trees right.  Who cares?  We were just glad to be out there.